14 – 11.19.22 – “This is foolish now isn’t it?” Letter to Jesse Redyard

Letter

A playful and teasing letter written from Hartford, Arkansas, expressing mild illness, social activities, and affectionate frustration toward Jesse Redyard. The tone blends humor, sarcasm, and emotional vulnerability, offering an early glimpse into their developing relationship dynamic.

RE-LE-COLLHE-0054

Courtship, playful intimacy, mild illness, social life

Arkansas

North America

Love & Courtship

Nov 19, 1922

Date November 19, 1922 (Postmark: November 20, 1922 – Hartford, AR)

Hartford, Arkansas Nov. 19, 1922 Dearest Jess, This is foolish now isn’t it? This letter is being written to please you and it’s my little mite to keep the blues away. Mother and Liz have gone to church but the others three are staying at home with me because I am sick. It is rumored that the Ku Klux is going to visit the Methodist church but even that didn’t interest me. You are not a bit nice to talk to over the phone, especially when I am at Marie’s ??? And especially when you insist on knowing what I was doing. We were indulging in the most interesting five handed game of Rook when Uncle Dave called me (I mean he came for me). But maybe he won’t disinherit me if he did realize what we were doing. You have missed a very good show for being out of town this week. I know because I went every night except Monday night. That doesn’t sound like I have been or am sick does it? Well, I’m not but—“just full of misery”—for more reasons than one. I’ve been living on cough drops all week. Some diet. (Sissie thinks she is even with me now because she has just read this “epistle” while I was out of the room!) Had a letter from Mrs. Leftwich today and she said “Since Mr. Redyard…” my best regards — I wish I could see him a “guilt”. Do you remember how she worried over those W.M.S. quilts last year? As soon as Arden and his wife get back to Magazine they are going to be given a reception at the Leftwich’s. She insists that I come for it but of course I shall not go. You didn’t ask for a whole volume of nonsense so I guess I’d better quit writing. So hurry up and come home because it seems like a “young century” since we have seen you. Always, Dooley

English

💌 1. The Emotional Core is Stronger Than It First Appeared This line is HUGE: “it seems like a ‘young century’ since we have seen you” ➡️ This is: exaggerated humor but also genuine longing 👉 This confirms: Even in 1922, she already misses him noticeably 😏 2. Refusal to Attend the Reception = Social Signal “She insists that I come… but of course I shall not go” This suggests: selective social participation possibly avoiding situations without him or avoiding certain people/social dynamics 👉 Could also hint at: mild independence or subtle emotional positioning (“I won’t go without you” energy) 🧵 3. W.M.S. Quilts Reference (Important Cultural Detail) “W.M.S. quilts” This likely refers to: Woman’s Missionary Society (W.M.S.) ➡️ This is a strong marker of: church-centered female community life organized women’s groups fundraising / quilting culture 👉 Excellent ethnographic detail for your archive 😄 4. “Volume of nonsense” = Self-Aware Persona “You didn’t ask for a whole volume of nonsense” She is: joking about her own writing aware she’s rambling intentionally playful 👉 This reinforces her personality: Witty, self-aware, socially sharp 💔 5. Subtle Dependency Emerging Even though earlier she’s playful and teasing, the ending reveals: desire for him to return emotional pull slight vulnerability 👉 This is the first real hint of attachment forming

Description

The closing portion of this 1922 letter reveals a deeper emotional undercurrent beneath its playful tone. While the writer maintains wit and humor throughout, her admission that it feels like “a young century” since seeing the recipient suggests an emerging attachment. References to church-based social life, including Woman’s Missionary Society quilting and local receptions, further ground the letter in the communal fabric of Southern life in the early 20th century.