Studio portrait of an infant seated in a small upholstered chair, facing the camera directly. The child is carefully posed and centered, with a steady, observant expression.

Studio portrait of a very young child, likely a toddler, posed standing beside a wicker stool or table. The child faces slightly to the side with a soft, calm expression, one hand resting on the wicker furniture for balance.

Outdoor portrait of young children posed beside a wicker baby carriage in front of a clapboard house.

Studio portrait of a family of four—father, mother, teenage daughter, and young child—posed formally before a painted backdrop, typical of early twentieth-century Edwardian portraiture.

Portrait of a woman

Formal oval studio portrait of a middle-aged woman wearing a high-collared lace blouse and brooch

Portrait of a woman

Portrait of an elderly woman wearing a bonnet or close-fitting cap and round, dark-tinted eyeglasses. The sitter faces the camera directly with a solemn expression. The image is shown inverted in its current orientation; when rotated correctly, the woman appears upright and centered within a soft vignette.

Family Portrait

Family Portrait

Family Portrait

Full-length studio portrait of a young man in a suit holding a diploma scroll, posed beside ceremonial floral arrangements.

Full-length studio portrait of a young adult male standing beside an ornate upholstered studio chair. Painted backdrop includes classical scrollwork and drapery. Patterned carpet visible.

Sepia-toned photograph mounted on warm tan card stock with subtle embossed studio signature in the lower right corner. The image depicts seven children arranged in a tight grouping against a soft, light studio backdrop. The lower portion of the photograph features a gentle fade vignette, common in early 20th-century portraiture.

This is a classic late Victorian cabinet card infant portrait produced in a professional studio setting of an infant.

Sepia-toned albumen print mounted on tan cabinet card stock. Image presented in oval vignette format with soft feathered edge. Reverse features printed cherub holding palette and brush beside sign reading: “Rocwood Photographer – 839 Broadway – N.Y.” Handwritten on reverse: “Fred. Mitchell”

Oval studio portrait of an infant seated on a wicker chair, wearing a white dress.

Studio portrait of an infant seated on an upholstered chair or posing surface, facing the camera with a solemn, steady gaze. The child appears centered in the composition, supported by studio posing techniques common for very young sitters.

Studio portrait of an infant wearing a long christening gown, dated 1916.

Studio portrait of an infant seated in an upholstered chair, wearing an elaborate christening gown.

Formal studio portrait of an infant seated on an ornate wooden bench, wearing a long christening gown.

Formal studio portrait of an infant seated on an ornate upholstered settee wearing a long christening gown.

Outdoor portrait of an infant seated on the ground, posed against a rustic stone structure. The child faces the camera directly with a wide-eyed, slightly uncertain expression, hands resting near the lap.

Formal studio portrait of an adult man shown from the waist up, facing slightly to his left. The sitter gazes off-camera with a composed, thoughtful expression, his posture upright and controlled.

Formal studio portrait of an adult man posed standing beside a table draped with a patterned textile. The sitter is shown in three-quarter profile, gazing slightly off-camera, with one hand resting on the table and the other held behind his back.

Sepia-toned photograph mounted on plain brown card stock. Reverse bears handwritten inscription: “1910 / Scavanak” (Handwriting suggests possible surname; spelling should be verified under magnification.) Image depicts a seated woman with two young children arranged in a formal studio setting with painted backdrop and textured floor covering.

Studio portrait of a mother posed with two young children in a soft vignette composition.

Formal outdoor portrait of a young girl identified as Agnes A. McArthur, age five, standing beside decorative iron railing and residential building, wearing fashionable late Victorian children’s coat and hat.

Sepia-toned albumen print mounted on cream cabinet card stock with double-rule border. Lower front margin printed in brown ink: “F.O. Aausler – 911 Broadway – Oakland, Cal.” Reverse features elaborate lithographed advertisement reading: “F.O. Aausler – Superior Fotografer – 911 Broadway, Oakland, Cal.” Decorative elements include stylized typography, foliage motifs, and cameo illustration. Handwritten inscription in green ink at top of reverse: “Chas. R. Herman” Mount exhibits age toning, foxing spots along lower margin, and vertical stress crease. Image retains strong facial detail.

Formal infant portrait of Frances Abigail Wheeler, aged nine months, reclining on pillow and blanket in studio setting. Photograph taken in Lincoln, Nebraska, circa March 1896.

Studio portrait of a seated infant wearing a lace-trimmed gown, mounted on a textured studio card. The reverse contains a handwritten inscription addressed to Keanna D. Bowen at 16 Ninth Street, Washington, D.C., suggesting the photograph was sent as a family keepsake.

Studio portrait of an infant reclining against a fur-covered prop with handwritten identification.

Studio portrait of two young sisters, one seated in wicker chair and the other standing beside her, photographed at Kozorek Studio in New Bedford, Massachusetts, circa 1908–1912.

Studio portrait of two young children seated together on an upholstered studio chair, photographed by Kinney Studio of Gary, Indiana. The older child wears a large ribbon bow and lace dress typical of early twentieth-century children’s fashion.

Studio portrait of two young sisters posed on an ornate wicker chair with decorative fur throw, wearing elaborate lace dresses typical of late Victorian childhood portraiture.

Studio portrait of two young girls posed closely together, likely sisters, photographed at Alamo Studio in San Antonio, Texas. The children wear light dresses typical of the early 1920s and display the fashionable bobbed hairstyles of the period.

This formal studio portrait depicts two young adult men standing side by side against a neutral painted studio backdrop.

Sepia studio portrait of a young woman wearing a decorative blouse and pendant necklace, produced by The T.O. Fee Studio of Hamburg, Pennsylvania.

Outdoor portrait of a young girl standing on wooden porch steps, holding a doorway post.

Studio portrait of a young girl in a dark dress wearing an elaborate oversized hat with ribbon adornments.

Sepia-toned albumen or early gelatin silver print mounted on cream cabinet card stock with decorative scalloped (serrated) top edge. Front features embossed decorative border.

Studio portrait of a young woman wearing round spectacles and a patterned dress, produced by Green’s Studio in Flemington, New Jersey.

Studio portrait of a young woman wearing wire-rim spectacles and a lace-trimmed bodice, mounted in a beveled dark mat.

Studio portrait of a young woman photographed at Lovell Studio in Oswego, New York. The image shows early twentieth-century portrait styling with soft lighting and a dark blouse with decorative trim.

Sepia-toned albumen print mounted on cream cabinet card stock with narrow gold rule border. Lower margin printed: “S. J. Swift – 480 Broad Street – Newark, N.J.” Bust-length portrait with soft feathered vignette at lower portion.

Sepia-toned albumen print mounted on dark charcoal cabinet card stock with elaborate embossed scrollwork and studio imprint along lower margin. Bust-length portrait with soft vignette fade at lower portion.

Sepia-toned albumen print mounted on cream cabinet card stock with red double-rule border and serrated (scalloped) edge. Lower margin printed in red: “C. C. Shadle – 219 Market St. – Kittanning, Pa.” With additional line: “Additional copies may be had by applying.”

Studio portrait of an infant seated on the floor before a painted landscape backdrop, wearing a long white dress.

Studio bust portrait of two young girls posed closely together, presented in a soft vignette style.

Studio portrait of two young siblings posed with ornate wicker chair furniture.

Formal studio portrait of three young women posed in a tiered arrangement—two seated in the foreground and one standing behind them with her hands resting gently on their shoulders. All three wear coordinated light-colored dresses with high necklines, puffed sleeves, and wide belts, suggesting either familial relation or deliberate styling for the sitting.

Studio portrait of a toddler standing on a photographer’s balancing stool, wearing a light dress with lace trim.

Studio portrait of a toddler posed beside a draped fabric prop, wearing a light dress with puffed sleeves.

Studio portrait of two children, likely siblings: a young boy standing at left and a young girl seated or standing at right beside an ornate studio prop resembling a carved pedestal or sculptural column. Both subjects face the camera directly with reserved expressions.

Sepia-toned photograph mounted on dark charcoal cabinet card stock. Outdoor portrait depicting two adult men posed at a rustic wooden bench and decorative branchwork railing. Background consists of soft-focus foliage.

Sepia-toned silver gelatin print mounted on light brown cabinet card stock with double-rule border. Photograph depicts two young adult men seated outdoors on simple wooden chairs. Natural foliage forms the background.

Outdoor portrait of two women posed side by side near a wooden fence, photographed in a rural or garden setting. The image is currently oriented upside down relative to correct viewing. When rotated properly, the women appear standing or seated close together, framed by trees and open landscape behind them.

Untitled Portrait of a Seated Man

Oval gilt metal locket containing a hand-tinted photographic portrait of a young child, framed by a blue enamel Greek key design on the reverse. Likely worn as a sentimental memorial or familial keepsake pendant during the late Victorian period.

Victorian Couple

Victorian Couple

Victorian Couple

Victorian Couple

Victorian Couple

Family Portrait

Victorian Woman

Family Portrait

Family Portrait

Victorian Group Photo

Victorian Group Photo

Victorian Women – Group

Victorian Woman

Victorian Woman

Circular gilt metal portrait brooch containing a studio photographic image of a young woman, set within a decorative twisted rope-style frame typical of late Victorian sentimental jewelry.

Victorian Woman

Victorian Woman

Portrait of a woman

Portrait of a woman

Victorian Woman

Victorian Woman

Victorian Woman

Victorian Woman

Victorian Women & Children – Group

Victorian Women – Group

Victorian Women – Group

Victorian Women – Group

Victorian Women – Group

Victorian Woman

Victorian Young Lady

Victorian Woman

Victorian Woman

Victorian Woman

Soft-focus studio vignette portrait of a young woman with centrally parted hair arranged in braided coils, mounted on cream board.

Mounted photographic print

Woman with Baby

Studio portrait of a young boy posed against an ornate balustrade, wearing a large bow and decorative collar.

Studio portrait of a young boy standing with a toy baseball bat, wearing a light summer outfit with striped knee socks.

Studio portrait of a young child, approximately three years of age, shown in a softly vignetted head-and-shoulders composition. The child gazes slightly off-camera with a gentle, attentive expression.

Outdoor portrait of a young child standing among garden plants, wearing a light dress and lace-up boots.